The Abuja Times

Davido Claps Back at Erigga's 'Family Money' Remarks

Nigerian music sensation Davido has responded to rapper Erigga's comments on social media regarding artists who rise to fame without financial backing from affluent families, sparking a heated exchange between the two.

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The Abuja Times

Thu, 3 Sept 2026• 2 min read
Davido Claps Back at Erigga's 'Family Money' Remarks
Davido Claps Back at Erigga's 'Family Money' Remarks — The Abuja Times Newsroom

Nigerian music star David Adeleke, popularly known as Davido, has recently engaged in a public spat with fellow rapper Erigga over a tweet that has stirred discussions in the music community. Erigga, whose real name is Erhiga Agarivbie, took to X to commend musicians who have achieved success without the financial support of wealthy families, stating, “Shoutout to all the musicians who don’t come from family money and had to grind for every single dollar they earn.” Although no names were mentioned, many interpreted the tweet as a veiled critique of artists from privileged backgrounds.

In a swift response, Davido quoted Erigga's tweet, offering a different viewpoint. He argued that those who come from affluent families also deserve recognition for their hard work in establishing their careers. Davido's retort included the line, “No be we say make your pops no guard o. Shoutout to the ones that came from family money and still grind to the top,” highlighting that success can come from various backgrounds.

The exchange escalated further when Davido labeled Erigga’s comments as “useless motivation” and referred to him as an “imbecile.” The Afrobeats star's response reflects the often contentious nature of social media discourse, where opinions can quickly turn personal. Davido also hinted at a potential shift in his career, stating, “No worry o I go soon leave their music for una go make my billions… then that shit gonna be boring AF,” suggesting that he may pivot to other financial ventures.

This back-and-forth has ignited a debate on social media, with mixed reactions from fans and followers. Some have rallied behind Erigga’s emphasis on the hard work of artists without financial privileges, while others support Davido’s assertion that success should be celebrated regardless of one’s background. The conversation raises broader questions about the complexities of privilege and the music industry in Nigeria.

As the discussion unfolds, it serves as a reminder of the diverse paths artists take to achieve their dreams, and the ongoing dialogue about wealth, opportunity, and success in the entertainment landscape. Both Davido and Erigga continue to engage their audiences, ensuring that this debate remains a focal point in the cultural narrative of Nigerian music.

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